阿龙
阿龙
回复 :Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
回复 :狂犬病病毒B456造成人类突变,被咬的人变成活尸一般,很快地,人咬人、人传人,无一幸免。一所学校的幸存者牧师马里欧,带着厨师、护士等一行人听从紧急广播的指示,逃到一处偏僻的小镇,镇上有间宅邸住着一大家子的人,宣称是猎人的男主人献上热腾腾的红肉,招待这群初来乍到的客人饱食一顿。马里欧很快就发现这里的女人个个都有残疾,而男主人每晚都与不同女人寻欢作乐。与此同时,马里欧的同伴一个接着一个消失,屋子里隐藏的秘密、同伴间的互不信任、为了生存而不择手段,人性的丑陋逐渐被揭开,谁才是猎人?谁又是猎物?
回复 :一位已婚的好莱坞特工收到一封关于匿名性接触的神秘信件,并陷入了一个充满谎言、不忠和数字数据的险恶世界。