何丽珠（郑秀文饰）去加勒比海度假，欧美遇上了一名相貌堂堂知书识礼的男子，欧美虽然才相识7天，二人还是闪电结婚。然而好景不长，男子在潜水中不幸丧生，令何丽珠悲伤万分。这段闪电的姻缘却没有让丽珠很快地忘掉丈夫。她沉浸在生活的阴影当中，久久不能自拔。一天她竟偶然发现，自己左眼可以见到鬼。在此之后，丽珠遇见王劲威（刘青云饰）。他自称是丽珠的小学同学，曾经对她非常的倾心。丽珠开始时嫌他麻烦，然而和他相处过程中，却屡屡得到他的帮助劝慰，让她快点医好丈夫逝去的心病。在王劲威要去投胎之前，丽珠想让他找来丈夫，见上一面，然而王劲威没能找回来。然而，丽珠却慢慢发现，自己的心愿其实并没落空，而且生活的希望也在一点点的回到她的心中。
尹林光子
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
回复 :★越南史上第一部关于驱魔题材的电影在恢复视力和精神力量的同时，瞎眼的驱魔人发现了另一个坏巫师的超大的邪恶计划。一部类型怪异的电影－喜剧片，「同情心在我心中的另一个词叫做才华」 ，将重塑寻找光明的旅程对于廷林（Tinh Lam）的眼睛及为了更好地理解生活而必须经历的因果关係的故事。廷林是因意外而失明还是存在其他神秘原因？谁将陪同廷林继续“驱魔”的道路呢？所有这些都将在剧终得到令人满意的答复！
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