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发表于2分钟前回复 :宪兵和警方组成的项目小组奋力追捕监控多时的国际毒枭黎文灿(周佳佑饰),以及台湾方面的合伙人跛雄(陈跃虎饰),双方发生激烈枪战,一线四星的警官陈邦兴(陈腾龙饰)及宪兵部队带队官刘庆安(卜学亮饰)之间沟通不良,使得围捕行动功亏一篑,警官陆典范(吴宗宪饰)、林玉菁(吴辰君饰)等人险遭不测。任务结束,警方高层与宪兵司令部展开磋商检讨,对犯罪集团日益国际化及专业化的趋势颇感忧心,为提升协调合作能力,打击犯罪,乃决定仿宪兵原有编制成立一支由宪兵部队及警察菁英共同组织的反报特勤队,代号“夜鹰”。特训中心设立于某宪兵基地,由宪兵部队统一代训,开训当日各路英雄好汉云集,当初参与行动的陈邦兴及刘庆安赫然在列,双方人马因上次任务失败心存芥蒂,相互嘲讽,正闹得不可开交,特训中心的中士班长李国骥(张智尧饰)突然出现,与另一班长萧鑫典(陈之财饰)以高超的能力震慑众人。繁重而严格...
茆建玲
发表于6分钟前回复 :Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.