文藏高中新生欢迎会。1年级的越山识，狗狗意外地被猜谜研究会要求参加了“新生抢答大赛”。就在爱好读书且不喜欢引人注目的识感到慌张的时候，狗狗同班的深见真理在谜题读完之前就接连按下按钮，压倒周围的人们。“知道答案后再按下去就太迟了。抢答在0.01秒的差距下，就能分出胜败”在看着这样的真理的途中，识注意到了“在猜谜当中有着能确定答案的要点”……。与猜谜研究会的前辈及伙伴、以及拥有压倒性强大的对手·御来屋千智的相遇，正解时的喜悦，无法按下按钮时的悔恨……并不只是知识，也要磨炼各种技术，并与同伴一同以胜利为目标的“竞技猜谜”的世界当中，越山识以猜谜拼上青春的每一天开始了。by 百度
回复 :《地球青年》由凤凰网出品，栏目挖掘世界各地青年人的有趣生活，记录时代当下的年轻人现状，用影像发现年轻的另一种可能。
回复 :“瞧一瞧看一看，暗芝居表演开始喽~”伴随着稀疏冷清的鼓声，江湖艺人（津田宽治 配音）鬼魅的吆喝声再度响起，充满好奇心的孩子从四面八方聚过来，一同观看哪一个有一个让人胆战心惊并且回味起来已经冷汗直冒的恐怖故事。承接第一季，《暗芝居》的故事继续以洋片（紙芝居）的表现形式讲述短小精悍的恐怖故事，而此次制作阵容得到壮大，在恐怖领域占有重要席位的清水崇（《咒怨》）、井口升（《无限富江》）等导演相继加盟，无疑提升了本作第二季的恐怖指数。片尾曲方面，初音带来的《四十九日目》，其邪典气息不逊于前作。此外，官网依然不定期提供恐怖短篇小说，让爱好者们继续在幽暗的世界里徜徉。
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
