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回复 :Suk-tae抢走了本属于黑帮的钻石后，匆忙之下来到景色如画的乡村「时失里」。可是，Suk-tae不久便人间蒸发，不知所踪。另一方面，正追捕Suk-tae的探员Yang-yi亦赶到「时失里」。Yang-yi肯定没有找错地方，但偏偏找不到Suk-tae。Yang-yi唯有在「时失里」逗留一段时间，渐渐他感到这条村落邪气迫人。「时失里」的村民亦不是他想象中那样善良和纯朴……
回复 :因为一次灵异的播出事故，电台风头正劲的新锐主播李小燕被分配至了收视率垫底的栏目。同年大三实习男生谢特被分派到“午夜漫谈”广播频道，跟着师傅李小燕实习。一次巧合谢特偶然在地下档案室发现电视台的神秘档案，里面记录大量不为人知的神秘新闻线索，李小燕为挽救自己节目的收听率，和谢特一起对一系列事件展开调查。
回复 :Teenaged siblings Girly and Sonny lure young men back to their home to meet the eccentric Mumsy and Nanny. There, the men are forced to take part in strange games, the rules of which are never defined - and if they refuse, or transgress the unwritten rules, they're killed. But they may have met their match in New Friend, their latest victim, who starts to manipulate the foursome, setting one against the other.Bizarre combination of late sixties avant garde and sleaze. Director Freddie Francis had made horrors for both Hammer and Amicus but this is nothing like any of them. Shot on location with an atmosphere mixing playground horror and conservatory theatre that is downright weird and unsettling. The great lost girl of sixties British horror, Vanessa Howard, shines as she does in those other rarely seen gems Corruption [1967] and What Became of Jack and Jill [1972]. If Harold Pinter had made The Texas Chain Saw Massacre [1974] for the BBC this could have resulted. Excellent and unique.
