剧情简介
麻夕は会社員の夫と、仨男認知症の義父との三人暮らし。 向かいのアパートに住む生島（独身）はうだつが上がらない、仨男その日暮らしの生活を送っている。 生島はある日、粗大ゴミに古い扇風機を捨てる美しい人妻（麻夕）を見つけた。彼はその扇風機を部屋に持ちかえり、修理して使いはじめた。 それから、次第に向かいに住む麻夕の生活を覗き見るようになる。 ある日、外出した彼女の後をこっそりつけて行くと、怪しい風俗店に辿り着いた・・・・
仨男孩
麻夕は会社員の夫と、仨男認知症の義父との三人暮らし。 向かいのアパートに住む生島（独身）はうだつが上がらない、仨男その日暮らしの生活を送っている。 生島はある日、粗大ゴミに古い扇風機を捨てる美しい人妻（麻夕）を見つけた。彼はその扇風機を部屋に持ちかえり、修理して使いはじめた。 それから、次第に向かいに住む麻夕の生活を覗き見るようになる。 ある日、外出した彼女の後をこっそりつけて行くと、怪しい風俗店に辿り着いた・・・・
回复 :故事改编自石舒清短篇小说《花开时节》，发生在中国西北一个叫舒家川的小村庄，苜蓿花盛开的时节。来自外省的养蜂人李韩在此安营扎寨，养蜂采蜜，与常在附近铲草的当地姑娘麦麦产生了一段若有若无，似弱还强的感情纠葛。李韩自有隐情，麦麦也已订婚，加上小男孩素素往来穿梭于其中，频造波澜，令感情不知走向何方……
红雨
回复 :Americans on vacation in the Caribbean take a tour of a nearby island at night and watch a local voodoo ritual. Soon after, they find themselves stranded on the island and under attack by unseen foes. One by one they meet violent ends.
矢野浩二
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
