欧洲亚洲日本理论图片
地区:泰国
  类型:古装
  时间:2025-07-19 00:12:56
剧情简介

三个女人所驾驶的宇宙飞船发生问题,欧洲紧急降落在银河系中一个名为「大地11号」的星球上,欧洲没想到,该星球受到致命疾病肆虐,三个女人因此被当地的独裁者麦纳布(莫利.林沃德 饰)挟持。此时,「宇宙 猎人 」渥夫(彼得.史特罗斯 饰)驾驶着他的救援船展开行动,一路上他碰到了许多危急的状况,还好都在 千钧一发 之际安全脱身。随着危机 一一 的化解,渥夫与独裁者麦纳布面对面的时刻越来越接近......他是否能对抗这群邪恶的外星小怪物,将三名美女从禁地星球中救出来呢?此片不但有紧凑的动作场面、独特的场景设计、创意十足的声音特效,3D三维效果更使其生动逼真......

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明星主演
马海生
祖海
牛朝阳
最新评论(411+)

蔡德才

发表于5分钟前

回复 :30岁的劳拉(桑德拉·切卡莱利 Sandra Ceccarelli 饰)一直渴望能够成为一名演员,然而,她的运气不太好,表演天赋始终没能够得到挖掘,星途一片黯淡。某日,在影片《茶花女》的试镜中,劳拉大放异彩,吸引了大明星史蒂芬洛(卢伊吉洛·肖卡 Luigi Lo Cascio 饰)的注意,史蒂芬洛把本该由自己的好友基娅拉(格拉迪亚·兰芝 Galatea Ranzi 饰)所扮演的女主角一角给予了劳拉,一直对史蒂芬洛心存爱慕的基娅拉选择了接受,并且扮演了剧中的一个配角。影片正式开拍了,随着剧情的推进,劳拉、史蒂芬洛和基娅拉三人之间的关系也变得越来越复杂起来。当劳拉的才华逐渐被旁人发现并且接受时,史蒂芬洛心中浮现出的是嫉妒的心情。


颜爵

发表于9分钟前

回复 :“比家美”旅店的经理二子(陈佩斯 饰)经历一番风雨,终于将旅店搞得有声有色。不料二虎的一根筋却令他处处不讨好,一次听音乐会时遇到工商局的老齐没有票却不懂得让票,张大菊趁机让票讨好。没几天,张大菊的“菊香”旅店在“比家美”对面开张了,“菊香”旅店利用一批美貌妖艳的女子吸引顾客,“比家美”生意大幅下跌。二子为了对抗“菊香”,借钱重新装修旅店,岂料麻烦一个接一个……


陈德志

发表于2分钟前

回复 :非常棒的超现实科幻片,与<银色星球>很像,导演Alex Proyas后来还拍了那部著名的<Dark City>,这是他的处女作.以下地址有详细介绍和剧照:http://www.mitternachtskino.de/spiritsoftheair.htmLike a dream, some things can only be experienced to understandThis film has some of the most beautiful imagery and haunting music ever. (Not to overstate it or anything) A three hander set in a post apocalyptic Oz outback (but one which is wildly more fantastical than Mad Max), Spirits of the Air tells the story of Smith, a stranger on the run who happens upon Felix and Betty, far into the desert.All around them are amazing images of cars buried into the ground like totems, huge flags blowing madly in the desert wind and their house itself is of the old oz pioneer style but decorated everywhere with crucifixes. Felix is an inventor obsessed with flight and making a glider, an obsession which has already left him in a wheel chair. Betty is one of the truly great film characters, just an absolute tripper - I can't describe her but the performance is a delight.This is not a fast film, it is not action packed but is intense - the imagery and art direction are beautiful, the writing is distinct and very Australian but still universal, the soundtrack is haunting (a lot of windsound montages with a simple tune used to great effect) and the performances are both real and surreal.Until you see this film (and for those who have enjoyed the increasingly brilliant work of Alex Proyas, you really should) you won't know what you are missing.


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