春暖93 min
春暖93 min
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
回复 :故事发生在1789年的法国凡尔赛宫,革命的热潮席卷了整个国家,居住在宫中的王公贵族们成为了革命者们攻击的对象。为了保命,很多人决定逃跑,可是皇后玛丽(黛安·克鲁格 Diane Kruger 饰)却无法放下她高贵的尊严。长久以来,波利内公爵夫人(维吉妮·拉朵嫣 Virgi nie Ledoyen 饰)和玛丽皇后保持了暧昧而又亲密的关系,而这一次,保全波利内公爵夫人的性命则成为了玛丽皇后首当其冲需要解决的问题。西朵妮(蕾雅·赛杜 Léa Seydoux 饰)只是一介小小侍女,但她对玛丽皇后的忠臣和爱慕是任何人都无法相比的,即使到了这个紧要关头,她依然希望能够守在玛丽皇后的身边,为她卖命。于是,西朵妮顺理成章的成为了玛丽皇后手中的棋子,而她并不知道,自己将要面临的是怎样的命运。
回复 :在开往羽越列车上,年轻男子中原朗(萩原健一 饰)邂逅了美丽端庄却带着些许恐慌和拘谨的女子松宫萤子(岸惠子 饰)。中原油腔滑调,甚至有些厚脸皮,在他不懈的努力下,萤子终于轻启金口,二人有了初步的言语交流。抵达羽越后,中原找到萤子,随其前往母亲的墓前祭拜。他们的交流越来越深,分别之际约定次日的12点再次相见。当第二天中原赶到约定地点时,却发现萤子已匆忙离开。在站台前,他得知萤子早先获罪入狱,此时尚非自由之身。此时的二人,已经慢慢爱上了对方……本片荣获1972年电影旬报十佳影片第五名;1973年每日电影最佳摄影、最佳导演和最佳剧本3项大奖。