剧情简介
当卡拉汉家掀起一个和平的家庭度假在山上他们没有想到个人的恶魔跟随他们。孩子们发现在僻静的小屋一个超自然的存在和两代人的秘密被揭示，被侵白衣永远变化着的生命以及死亡。
被侵犯的白衣
当卡拉汉家掀起一个和平的家庭度假在山上他们没有想到个人的恶魔跟随他们。孩子们发现在僻静的小屋一个超自然的存在和两代人的秘密被揭示，被侵白衣永远变化着的生命以及死亡。
回复 :在一座海边小城中，一位开着观光旅游车的单亲爸爸老余；一对一心求子的夫妻简如月、方达；一对一心想飞黄腾达的修车行兄弟…… 这些生活在社会底层不同轨迹上的小人物，在一个台风天，阴差阳错的踏上了开往悬崖的夺命之旅。一群各怀⽬的⼈，在生死危机的悬崖边缘，死亡越来越近，时间一点点消逝，求生的机会越来越渺茫……他们该如何博弈仅存的生存机会？
回复 :米歇尔·莫娜汉饰演的摄影记者萨拉饱受悲剧往事的困扰，住在纽约高档公寓的最顶层，过着与世隔绝的日子。迈克尔·基顿饰演的变态罪犯为了盗取藏在公寓内的钻石，闯进萨拉的生活，一场柔弱美女与疯狂暴力罪犯的生死搏斗由此上演。
余波
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
