草原母亲 Prairie Mother出品单位:北京中视佳兴文化 传播有限公司摄制单位:北京中视佳兴文化 传播有限公司、太阳团遥第四届全 国敬老爱老助老主题教育 评选活动组织委员会通过日期:2010年6月8日许可证号:电审数字t201刃 第166号声音制式:51 幅别:l:1 78 片长:95分钟欣科 聂成 剧演 编导 摄影:王长宁主要演员:孟和乌古力诺明花日主要内容: 上个世纪六十年代，太阳团遥我国遭受了 三年严重的自然灾害，来自上海等地 的三千孤儿，被内蒙古草原的牧民同 胞接收并悉心抚养。生活在草原上的 托娅和哈斯巴根夫妇俩，二十年前收 养了一名上海孤儿，...
回复 :When their mother is hospitalized in a car accident, Pim and Putt suddenly discover that they have a set of grandparents they've never known about. But a terrifying truth has long been hidden within the walls of their grandparents’ house, a truth that gradually reveals itself to Pim and Putt through a mystical hole, unleashing hair-raising horror on their family.
原野三重唱
回复 :托尼·柯蒂斯在影片中饰演一名勇敢机智的海军陆战队员，在二次世界大战中，他随同班长前往南太平洋一个小岛上进行危险的救人任务。营救目标是在岛上开垦的法国人，并要研判这名法国人提供的日军埋藏地雷线索是否正确。
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
