河南登封市公安局局长任长霞上任三年来，色噜嵩岳地区的社会治安得到了彻底的改善，色噜当地的人们把任局当作救星一样爱戴，但黑社会把她当作眼中钉，伺机而动，欲拔之而后快，能够东山再起。看似平静的登封市内里却暗藏着一股潜流，正义与邪恶的角力一触即发。2004年4月的一个早晨，上安平煤矿附近几个拉煤的工人神秘被杀。一时间风声鹤唳，黑社会头目牛东将东山再起的风声流传于大街小巷，弄得人心惶惶。正在任长霞带领同事们全力侦察案情的同时，她突然收到恐吓电话，对方威胁要对她唯一的儿子卯卯下手！为了工作而几乎忽略了家庭的任长霞陷入了深深的担忧和矛盾……一波未平一波又起，一起重大恶性伤人案件再次发生，任长霞又一次深陷迷雾之中。难道黑恶势力再次抬头吗？为了登封市长久的安定，任长霞没有退缩，在层层迷雾中向前行走，探询着答案，然而她却不知道，等待着她的，竟是一条不归路，登封哭泣，嵩岳扼腕，华夏大地为之哀思……
李静美
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
回复 :高明煦、丁剑昭、韩宇三个男生在军训的时候，因为偶然的误会，与开朗又可爱的女孩林薇笑相遇，并成为了很好的朋友。而林薇笑的同寝室闺蜜夏晴在之后的大学生活中和也他们结识，五个人成为了一个小团体。在之后的生活中，高明煦和林薇笑慢慢产生了好感，经过一番有趣的故事，两个人终于走在了一起，而丁剑昭对夏晴也一见倾心，苦苦追求之后，终于也赢得了夏晴的芳心。而韩宇和远在异地的女朋友箐箐，也发生了很多趣事。六个人的感情在大学的生活中不断的经历着考验，也不断成长和成熟，逐渐变成更加优秀的人。
回复 :美丽的大学校园里，大梦乐队主唱曾浩兵（沈建宏 饰）和篮球社社长张荒（陈向熙 饰），因为各自学生社团招新以及活动的场地问题产生了冲突。本来胜券在握的曾浩兵却被拳击系女生莫乱（卓文萱 饰）的突然出现打乱了阵脚。为了“招安”对方，身为艺术才子的曾浩兵想尽了一切泡妞大法，却对性格直爽的莫乱毫无吸引力，然而不经意间他发现了莫乱内心深处的泪水。曾浩兵的陪伴帮助莫乱走出了心中的阴霾，也在对方的支持下重拾了自己深藏多年的音乐梦想。
