塞斯（乔纳•希尔 饰）和埃文（迈克尔•塞拉饰）是一对不善交际、春暖性格迥异的好朋友，春暖二人即将高中毕业，对没有彼此的大学生活既焦虑又恐惧。一个周末，二人的“桃花运”来了，因为他们收到了一个请柬，邀请他们去参加一个几乎完全是由漂亮女孩们主办的舞会，条件是他们要提供舞会上所需的各种酒类。令人讨厌的朋友弗盖尔（克里斯托弗•米恩特兹•普莱斯 饰）也加入到他们的行列，还给自己弄了一个假身份证，取了“迈克•拉文”这样愚蠢的假名。舞会上，塞斯盯上了舞会的组织者茱尔斯，埃文看上了 与他一起上数学课的女孩贝卡，弗盖尔则选择了装扮刺激的妮科拉。然而一系列不幸的巧合将三个人带到了一个陌生的地方，还让他们与斯莱特和迈克尔斯警官发生了冲突。对于三个即将高中毕业的小伙子来说，这可能是他们经历的最可怕、最让人感到羞愧的一个夜晚，然而，也是一个值得他们回忆一辈子的夜晚。
挂在盒子上
回复 :Ray 'Harley' Davidson is a hustler. With flash clothes and a fast mouth, Harley lives life in the fast lane. With his passion for all things gambling, money runs like water through Harley's hands and as quickly as he makes a killing he takes a beating, normally at the poker table. Nominally an illegal prize-fight manager, Harley hasn't produced a live one in months, until Charles Buchinsky literally wanders into his life. Charles Buchinsky, street fighter extraordinaire. He's from out of town looking for a fight and the chance to tie up a few loose ends. Keeps himself to himself, lets his fists do the talking and his word is his bond. Victor Maitland, top illegal fight promoter and porn baron. Hates losing and loves the prestige of managing the best hitter in town. Harley dreams of bringing Maitland down and after seeing Buchinsky at work, engineers a fragile partnership...
胡彦斌
回复 :贵族学校圣阿尔特密斯女子学园，华贵骄傲的大小姐们自视甚高。平民女孩市立花（志田友美 饰）想尽办法进入这所梦寐以求的学府，可是身处其间备受歧视，只有外表冷峻的稻泽花（竹富圣花 饰）愿意出手帮她。某天放学后，老师要求学生尽快离校，但是市立花为了取手机返回教室，结果被原本还温文尔雅的青年男老师们抓了起来。当她再度醒来，发现自己和稻泽等同学被关在铁笼内，田筱老师要求女生们用手机参加名为“黄金之卵就职活动“，她们要按规则答题，一旦失误便将遭到无情屠杀。懵懂女孩命悬一线，最终能否逃出生天？本片根据女子组合私立恵比寿中学的同名歌曲改编。
宠物店男孩
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
