风和日丽的日子里，地狱有些木讷呆板的青年（巴斯特·基顿 Buster Keaton 饰）和一群绅士贵妇打高尔夫球，地狱虽然极想在心仪的女孩面前大出风头，但是青年委实霉运当头，或者挥杆落空跌倒在地，或者小球直接掉入水里，好不容易打到最后一杆，小球又被多事的小狗叼走，甚至连一群老妇人都要找他的麻烦。当然，这些还都不算什么，更大的灾难等在后面。 某监狱，编号13的囚犯越狱逃亡，引来大群狱警追捕。他逃到高尔夫球场附近，刚好看见昏倒在地的青年，于是将自己的条纹囚服穿在了青年身上。过了一会儿，青年醒来，还在自顾自地打着高尔夫球，却不知道自己已经成了即将被送上绞刑架的囚犯……
于金源
回复 :一次奇遇使她变成五十英尺高的巨人，她开始向一切不公正挑战。美国西部某镇，一个神奇的故事和一个神奇的女人。南西是一位善良的姑娘，虽然她的家庭很富有，但并不幸福。她视其为生命的丈夫居然是个花花公子，不但四处寻花问柳，还企图占据她父亲的财产。而南西的父亲是个地地道道的爱钱如命的奸商。从未关心过她。一天南西意外地遇到一艘飞碟，并与飞碟进行接触，这使她魔术般地变成了一个有五十英尺的女巨人，南西...
金度完
回复 :莫莉接受男友基思的求婚后，担心的是已离异的父母在她的婚礼上碰头会再吵起来。果然不出所料，身为电影明星的莉莉和作家丹在婚礼当天就不顾莫莉的再三警告翻起了十五年前离婚旧帐。可吵着吵着，怒火变成了爱火，竟背着自己现在的另一半私奔了。最难以接受这一事实的还不是他们再任的丈夫和妻子，而是正准备竞选国会议员的新夫婿。他让莫莉去劝那对儿老冤家。这边，新娘子鬼使神差地爱上了一直纠缠着莉莉的摄影师，新郎则阴差阳...
回复 :Eric Braeden stars as Dr. Charles Forbin, who has created a supercomputer named Colossus, built solely for the purpose of controlling the nuclear defenses of the Western alliance. It isn't too long after, however, that the Russians announce that they too have built a similar computer for those same purposes on their side--Guardian. And when the two machines begin sharing information at a speed nobody can believe, an attempt is made to disable them.This unfortunately just raises the machines' ire; and in retaliation, they launch their weapons at each other's home nations. The result is a chilling scenario that is potentially becoming all too real these days.COLOSSUS: THE FORBIN PROJECT was not a big hit at the box office for various reasons. One is that its cast wasn't exactly well known. Another reason is that its ending isn't exactly a happy one. Still a third reason is that Universal had trouble trying to promote it in the wake of the huge success of Stanley Kubrick's 2001: A SPACE ODYSSEY. The latter reason is obvious: Colossus and Guardian, like HAL in the Kubrick movie, become central characters here. The difference here is that while HAL malfunctions due to a programming conflict, Colossus and Guardian remain all too stable, convinced beyond a doubt that they know how to protect Mankind better than Man himself. As the computers point out: "One inevitable rule is that Mankind is his own worst enemy."Joseph Sargent's direction is efficient, and the special effects work of Albert Whitlock still manages to work despite its obvious age. An overlooked gem in the sci-fi genre, this should be given a revival.
