在1944年秋季,泷泽一小队的六名美国士兵必须抵抗约德国人48小时的攻击,泷泽商讨解决办法,直到增援部队到达。 他们将总结任何一点办法和经验,每个人都必须活下去,直到增援部队到达。
在1944年秋季,泷泽一小队的六名美国士兵必须抵抗约德国人48小时的攻击,泷泽商讨解决办法,直到增援部队到达。 他们将总结任何一点办法和经验,每个人都必须活下去,直到增援部队到达。
回复 :本片是另类爱情IP《旁门左爱》系列中的一部影片。创作团队在打造该片时,展现出了与众不同的创作理念。故事独辟蹊径,突出“另类”的概念,摒弃传统的编剧思维,用女主为了唤醒植物人男友而借助先进医学手段让两人在潜意识中能进行情感交流,找寻恋爱记忆,并由此影射出现实中的爱情曲折。该片融合了悬疑、惊悚、青春、爱情等几大元素。剧情逻辑感强烈,环环相扣,关键人物命运的发展往往出乎预料,引领观众去探索人物细腻的内心世界和最终归属。该片的摄制精益求精,在镜头及光效运用方面均有独特创新。影片力求做到在观众观影时,有更多的思考空间,通过影片细节给出的线索,参与进剧情的发展。以高层次的欣赏角度去体会一部高智商的另类悬疑爱情影片。
回复 :电影讲述过去曾是拳击选手的男主人公李炳九在某一天知道自己患上病,在体育馆新来的登记职员敏智的帮助下重新开始了拳击的故事。
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.