水泽Five children aged between 11 and 17 who have been rejected by society leave town in search of their own "Kingdom". They cross a mountain range, roads and rural landscapes, and are both victims and guilty parties on their journey. They steal and launch attacks but are also robbed and tortured in turn…
回复 :1973年美国康涅狄格州，感恩节快要到来，一场冰风暴也即将到来。平凡乏味的家庭生活使中年夫妻厌倦，丈夫本•胡德（凯文•克莱恩饰）一直在引诱邻居珍妮特•哈珀，而妻子（琼•艾伦饰）对丈夫的谎言也早已不耐烦了。儿子保罗（托比•马奎尔饰）迷恋着学校里最有人缘的那位女生。女儿温迪（克里斯蒂娜•里奇）兴趣于电视里的水门事件听证会。冰风暴的夜晚，夫妻两个去朋友家参加一个鸡尾酒会，鸡尾酒会的一个重要内容是进行换房间钥匙的游戏。在酒会结束后，每个妻子都可以和别家男人结成新欢。而他们儿子则赶去面对一场诱惑与考验，女儿正陶醉在同邻家男孩子的性游戏中……
朴海珍
回复 :警方在一次扫荡行动中搜得「应召名册」一本，于是怀疑非法集团强逼女明星卖淫。女明星刘惠(刘雅英饰)本是妓女，偶然机会被星探发掘做明星，成名之后，一跃成为专向外国游客卖淫的高级妓女。明姐(陈萍饰)是电影明星，每次拍戏途中都会忽然牙痛失踪，其实，诊所已被安排作卖淫的场所。年青女星白小曼(余莎莉饰)也在应召名册上，后来她不甘受压逼，走上自杀之路。应召名册上的卖淫女星，呼之欲出，圈内圈外，谈论不休，视钱如命
张嘉倪
回复 :This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time.“The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez
