剧情简介
《最后的权利系列》是一部超自然的戏剧。影片中的几名主角接受了一个名为Concord的人的交易，凯文在双方进行谈判后他们才被允许实现涅槃，凯文同时所有的麻烦都消失了。作为交换，接受这笔交易的人必须把他所有的财产都交给Concord，并在一所房子里住一个星期。在这期间，他们都将被测试，看谁有资格获得涅槃。
凯文哈特：校对现实
《最后的权利系列》是一部超自然的戏剧。影片中的几名主角接受了一个名为Concord的人的交易，凯文在双方进行谈判后他们才被允许实现涅槃，凯文同时所有的麻烦都消失了。作为交换，接受这笔交易的人必须把他所有的财产都交给Concord，并在一所房子里住一个星期。在这期间，他们都将被测试，看谁有资格获得涅槃。
陈浩德
回复 :改编自热门小说《刺青》，作者雪小禅与饶雪漫、辛夷坞、九夜茴并称“四大青春小说畅销作家”，以及他们所经历的怦然心动与蜕变成长。影片以一首高中少女的情诗为线索，开启了一段通过书信传情的双向暗恋故事，将青春校园时代的青涩酸甜暧昧展露无疑，让人收获勇敢去爱、不留遗憾的勇气。
回复 :A determined young woman and a damaged occultist risk their lives and souls to perform a dangerous ritual that will grant them what they want.
桂纶镁
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
