逃亡者,人工偏偏躲进了偷情现场。因同伴的背叛,人工成了逃亡者的志勋,为逃避警察的追捕躲进附近一房屋。但这一家,偏偏是妻子目睹丈夫偷情的现场。在这种荒唐的情况下,志勋只好把他们三个抓为人质。绑架犯对我来说是值得庆幸的客人。参加葬礼回来的恩珠...发现家里来了客人, 而且是两个。一个是同丈夫偷情的朋友,另一个是从未见过的绑架犯。在这种情况下...更没想到这个劫犯竟站到了孤单力势自己一旁.....
逃亡者,人工偏偏躲进了偷情现场。因同伴的背叛,人工成了逃亡者的志勋,为逃避警察的追捕躲进附近一房屋。但这一家,偏偏是妻子目睹丈夫偷情的现场。在这种荒唐的情况下,志勋只好把他们三个抓为人质。绑架犯对我来说是值得庆幸的客人。参加葬礼回来的恩珠...发现家里来了客人, 而且是两个。一个是同丈夫偷情的朋友,另一个是从未见过的绑架犯。在这种情况下...更没想到这个劫犯竟站到了孤单力势自己一旁.....
回复 :比尔·戈德堡扮演一个恶魔的儿子,他打赌输给了1个天使,被迫充当了1000年的圣诞老人。不过现在那个赌局已失效,圣诞老好人不再让人欢笑。他为弥补失去的时光开始了杀戮。
回复 :"Once upon a time, before people came along, all the creatures were free and able to be with one another", narrates the voiceover. "All the animals danced together and were immeasurably happy. There was only one who wasn't invited to the celebration - the frog. In his rage about the injustice, he committed suicide." Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming "once upon a time" into "there is". "Afterwards, nothing will be as it was and the melody of life will have changed", explains a voice off-camera.
回复 :本片由克里欧·巴纳德自编自导,影片改编自罗斯·特瑞美2010年的小说,故事围绕一对力图摆脱过往家庭伤痛的兄妹展开。