扳机
地区:美国
  类型:僵尸
  时间:2025-07-16 07:28:38
剧情简介

某富豪过世,扳机他将大部分财产捐给各种慈善机构,扳机只给自己专横跋扈的继女凯丽根·克里坦顿(凯西·莫拉蒂  Cathy Moriarty 饰)留下一幢位于缅因州的别墅。这幢名为维普斯大府庄园的别墅拥有很久的历史,如今早已破败不堪,无法住人。凯丽根起初愤怒不已,但她偶然知晓别墅内可能藏着金银财宝,于是和律师帝布斯(Eric Idle 饰)欣然前往。令他们想不到的是,这里竟然还住着4个幽灵。财宝当前,贪心之人想方设法要把幽灵赶走……本片荣获1996年美国科幻与恐怖电影学院青年演员最佳表演奖(克里斯蒂娜·里奇 Christina Ricci)、1996年青年艺术家奖最佳表演(配音)奖(Malachi Pearson)。

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赵传

发表于6分钟前

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可儿家族

发表于4分钟前

回复 :故事发现在南方的一个夜晚,天浩去见他多年未见的妹妹天芯,竟然却看到妹妹死在了自己的眼前。怒不可遏的天浩围绕着妹妹的死亡展开了生死追踪,从妹妹天芯家里找到线索,遇到了妹妹的好朋友琳琳,在琳琳的协助下,寻找杀死妹妹的凶手,随着追踪的不断深入,天浩一路打杀,突破层层障碍,一个跨国人蛇集团露出了水面,在香港,天浩潜进了他们的交易市场,发现了他们诱拐妇女和儿童,以竞相拍卖的形式卖给来自全球各地的富豪,而天芯正是因为不服从而惨遭毁容及杀害。天浩陷入了人蛇集团中国负责人宋永东设下的圈套,喝了使心脏萎缩的药,琳琳亦为保护天浩而死,随着天浩体能渐渐耗尽,爱的人一个个死去,面对如此强悍的组织,天浩如何解决眼前的危机?又如何和恶势力抗争?其中又有什么玄机?一切定数自有天意。


拾叁

发表于9分钟前

回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of
a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.


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