黛西（芭芭拉·史翠珊 Barbra Streisand 饰）是一个性格开朗活泼，草莓人见人爱的姑娘，草莓什么都好的她只有一个缺点，那就是烟瘾奇大无比。黛西的未婚夫特纳给黛西在食品公司里找了一份工作，这是一个清闲自由收入又高的工作，可唯一的要求就是从业者不能吸烟，因此，黛西必须在最短的时间里把烟给戒了。为了帮助黛西戒烟，特纳找到了心理医生查伯特（伊夫·蒙当 Yves Montand 饰），希望查伯特能够通过催眠的方式来帮助黛西戒除烟瘾。刚开始，查伯特是拒绝的，但当他发现黛西似乎有着某些异于常人的特异功能后，决定通过催眠来解开其中的奥秘。
优子惠飞
回复 :继承父亲遗产后于职场中杀伐决断、有所建树的中年女总裁，在爱情面前放弃独善其身的人生信条，同年轻下属走入婚姻殿堂，婚后发现丈夫与妹妹的秘密情事后毅然放手成全——影片的情节，如今看来已是老生常谈，但若论真正让本片熠熠生辉的原因，除了对于“社会性别期待“等经久不衰的议题的讨论，不可忽视的是主角波琳·弗雷德里克(Pauline Frederick)风趣、干练而又感人至深的表演。童年时期父母离异后被母亲抚养长大的波琳，自小便确立了演艺事业的理想，二十岁时便已担任巡回演出剧目的主角，虽然波琳·弗雷德里克在32岁时才出演了自己的银幕处女作——由休·福特和埃德温·鲍特指导的《不朽城》(The Eternal City, 1915)，但她依旧是最早前往好莱坞发展的百老汇明星之一，后来也成为了最早接演“有声片”（波琳曾接受系统的声乐、表演训练）的知名演员之一。事业方面可谓风光的波琳，感情生活却不尽人意，前后共经历了五次颠沛起伏的婚姻，在第五任丈夫（婚后不到一年内）和母亲相继逝世后，波琳也因罹患哮喘而离世。曲折而不平凡的人生经历也或许赋予了她一种表演中的特质，帮助她塑造了一位女性兼具泼辣和敏感的银幕形象。本片位列日本《电影旬报》1925年度十佳影片艺术类第六名。
回复 :萧亮是个因公致盲的退役军官，守着军人的尊严，坚强的活着。马陆，一个刚毕业的电脑硕士，刚进警界，梦想成为英雄。为了寻找一个失踪少女，两个人的生命轨迹开始相交。两代人迥然不同的思想意识、生活态度频频相撞，摩擦不断。几经接触后，两人开始慢慢理解对方。但此时所有人却被卷入了一宗特大的贩毒案中……
铃木茂
回复 :Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
