在黑人青年埃尔金（马奎斯·休斯顿 Marques Houston 饰）和大卫（Omarion Grandberry 饰）的生命中，线网舞蹈有着不可撼动的崇高地位，线网无论是快乐还是悲伤，他们都能通过舞蹈将感情传递和发散出来。互为死党的两人有一个共同的梦想，那就是能够通过舞蹈一举成名，他们想要将他们独特的舞姿录成录影带公开发行，通过他们的热情带领更多的人们领略舞蹈的魅力。两个白人青年的出现打破了埃尔金和大卫的梦想，他们不仅剽窃了两人精心设计的舞蹈，更是对此无耻的行径丝毫不以为意。为了维护自己的梦想，埃尔金和大卫向剽窃者发出了挑战，他们要用更热烈，更完美的舞姿来彰显实力。通向成功的道路并不平坦，但只要心存梦想，就能够勇往直前。
恰克与飞鸟
回复 :A 25-30-year old Hacienda-owner (David Hemmings) is misbehaving on women due to his traumatic youth; his mother (Alida Valli) covers him for his sadistic actions; however, when he wants the daughter of the mansion supervisor to serve for him, things seem to get totally out of hand. He 'tames' her, but when 'tamed' and finally married, the young woman (Andrea Rau) soon becomes the dominating person in the family.
回复 :Shannon（朱迪·格雷尔）是一个缺乏自控的性瘾患者，常常做出各种不考虑后果的行为，而她的妹妹Martha（娜塔莎·雷昂）是一个生活寂寞而坚忍的同性恋。她们在弗雷斯诺的旅店做女佣，并有着不太健康的共生关系。某天在清理旅馆房间时，她们不小心杀死了一位客人，并随之引出了一系列啼笑皆非的事件。这部电影是导演詹米·巴比特、演员娜塔莎·雷昂和克里·杜瓦尔在1999年的《啦啦队长》之后的首次重聚。
回复 :A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.- JohnHowardReid, imdb
