丈夫因中风而性情大变,亚洲原本幸福的四口之家陷入混乱。一位美国神经生理学家获准进入了这个家庭,亚洲用摄像机记录和研究患者的康复情况,同时也卷入了一家人的情感纠葛……获奥斯卡最佳真人短片奖提名的导演史蒂芬·格林的长片处女作,以女性独特的细腻视角来表现家庭关系。影片精心打造了两男一女之间那种既亲密又疏离的关系,趣味而富有张力。随着三人之间关系的不断调整,形同陌路的夫妇最终获得了面对未来的勇气。
丈夫因中风而性情大变,亚洲原本幸福的四口之家陷入混乱。一位美国神经生理学家获准进入了这个家庭,亚洲用摄像机记录和研究患者的康复情况,同时也卷入了一家人的情感纠葛……获奥斯卡最佳真人短片奖提名的导演史蒂芬·格林的长片处女作,以女性独特的细腻视角来表现家庭关系。影片精心打造了两男一女之间那种既亲密又疏离的关系,趣味而富有张力。随着三人之间关系的不断调整,形同陌路的夫妇最终获得了面对未来的勇气。
回复 :电影《芳华》主创访谈。
回复 :American film critic Elvis Mitchell’s kaleidoscopic documentary creates a definitive narrative of the Black revolution in 1970s cinema, from genre films to social realism—a work of painstaking scholarship that’s also thoroughly entertaining, an essential archival document and testament to a period of American film history unlikely to be repeated.
回复 :"Once upon a time, before people came along, all the creatures were free and able to be with one another", narrates the voiceover. "All the animals danced together and were immeasurably happy. There was only one who wasn't invited to the celebration - the frog. In his rage about the injustice, he committed suicide." Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming "once upon a time" into "there is". "Afterwards, nothing will be as it was and the melody of life will have changed", explains a voice off-camera.