在万能天使服务中心，车水1212号实习天使（沈腾 饰），车水是一位能够通过发放金币给用户实现愿望的天使，但由于他发放的三枚金币都没法真正实现三位用户（大龄相亲女、创业男、考试失败的小孩）心愿，于是用户给了他差评，实习天使被主管告知实习不通过。在1212号的请求下，天使主管（罗永浩 饰）又提供给他三枚时空穿梭金币，让他选择回到过去弥补错误。但是天使内心坚定自己选择没有错误。1212号天使决定去到未来，原来在未来，每个用户都因为1212号天使的选择而得到真正的收获，他给的金币或许没能当下立刻实现用户的心愿，但却间接让这些用户认清了自己，从而心愿获得了真正的实现，人生可能会有很多诱惑，捷径，走偏的几率。但是不不忘初心，方得始终。最后，1212号天使成功转正成为12月12号的初级天使，原来在万能天使服务中心，每一天都有一个天使在守护着每一个用户。现实中的你要相信，即使遇到困难，只要充满期待和爱，也许你也能获得「天使」给你的幸运金币了。
阿正
回复 :倒霉的警探布罗斯（约瑟夫·费因斯 Joseph Fiennes 饰）因其超级龟毛的个性而惨遭停职，无所事事的他在误打误撞之中竟然成为了保险公司的调查员。什么是“达尔文奖”？这个奖项的获得者都是些“通过最愚蠢的方式自我了断”的人们，而布罗斯的任务就是在期限内找到这些人，挽救他们的生命，同时为保险公司省下一笔高额的保险费。和布罗斯一同工作的是一位名叫西丽（薇诺娜·瑞德 Winona Ryder 饰）的美丽女子，和布罗斯的个性截然相反，西丽做起事情来果断勇敢，雷厉风行。就是这样的一对奇葩组合，竟然在风风雨雨之中擦出了爱情的火花，而随着调查的深入，布罗斯和西丽发现，在这个“达尔文奖”的背后，竟然隐藏了一个惊人的秘密。
回复 :乔尔（托马斯·南吉乔尔 Thomas N'Gijol 饰）和瑞吉斯（法布里斯·厄部埃 Fabrice Eboué 饰）是同父异母的兄弟。乔尔是一个地地道道的黑人，他痛恨自己的血统和外貌，将自己人生的全部失败都归结于种族歧视之中。瑞吉斯虽然没有乔尔这么“黑”，但他同样不愿意承认自己拥有一半的黑人血统，兄弟两人之间的关系也十分的糟糕。某日，传来了两人父亲去世的消息，父亲留下了一笔遗产，为了争夺这份遗产，兄弟两人之间发生了激烈的冲突，并且惹出了非常多的麻烦。这一切都被一位神秘的老妇人看在眼底，为了给兄弟两人一个教训，老妇人将他们传送回了奴隶年代，两兄弟成为了奴隶市场里挂牌出售的“商品”。
男才女貌
回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
