果作品视频
地区:加拿大
  类型:偶像
  时间:2025-07-16 02:44:45
剧情简介

果作ddd本片是Kidulthood的续篇,Sam于杀害Trife六年后刑满释放.但他逐渐意识到监狱外的生活并不比里面轻松,并且他需要面对过去被他伤害过的人...过去的朋友有些人继续着全新的生活,而另一些却为他的所做所为而耿耿于怀,但无疑的是,所有人都不可选择的长大了.Sam在他的内疚中挣扎,同时还要面对哪些想要为Trife复仇的人,新一代的帮派在伦敦街头逐渐涌现,而Sam则在努力想告诉大家停止暴力,就像多年前Trife想努力告诉他一样...rKidulthood的续作,性,暴力,毒品,Rap与21世纪初期的伦敦街头,,,

5663次播放
9人已点赞
97人已收藏
明星主演
王仁甫
旭明
刘钰佳
最新评论(373+)

刘界辉

发表于1分钟前

回复 :学生时代的爱丽丝(朱诺·坦普尔 Juno Temple 饰)是同龄人羡慕的对象,她的相貌和才华让长辈和朋友们有理由相信,充满了美好和成功的未来正等待着她。然而,直到踏入了现实社会,爱丽丝才发现了自己的天真,和约翰(迈克尔·安格拉诺 Michael Angarano 饰)结婚之后,两人的生活质量急转直下,连及格线都难以触及,幸福美满更是无从谈起。就在爱丽丝陷入窘境之时,一只神秘的黄铜茶壶的出现彻底改变了她和约翰的生活,他们发现,这只茶壶能将两人的痛苦转化为源源不断的钞票。想要感到痛苦还不简单,就这样,爱丽丝和约翰在变身富翁之时亦开始了漫漫“求苦”之旅,可是随着时间的推移,两人发现,事件的发展逐渐脱离了他们的掌控。


紫龙

发表于1分钟前

回复 :讲述拥有特异功能小人物“冷钢”赶走西方列强,一路成长的故事。


黄丹仪

发表于9分钟前

回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence.  Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles.  Magdalena lives with her adopted parents and works in an art gallery.  The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch.  Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date.  The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride.  The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled.  Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert.  The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.


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