故事发生在1970年代的爱尔兰，国产高清克里斯（希里安·墨菲 Cillian Murphy 饰）是当地的罪犯领袖，国产高清维农（沙尔托·科普雷 Sharlto Copley 饰）则是来自南非的军火贩，两拨人通过贾斯丁（布丽·拉尔森 Brie Larson 饰）和奥德（艾米·汉莫 Armie Hammer 饰）的牵线搭桥，准备进行一笔数额巨大的军火交易。哪知道在交易当天，维农带来的武器竟然并不是克里斯之前预定的款式，这让性格爆裂的克里斯非常的恼火，他将这种言而无信的行为视作是对自己威信的挑战。与此同时，维农的手下哈里（杰克·莱诺 Jack Reynor 饰）控诉克里斯的亲信斯特沃（萨姆·赖利 Sam Riley）骚扰了他的姐姐，这让两个帮派之间的关系处于一触即发的境地。
回复 :马克思（James Woods 饰）是一家小型电视台的台长，为提高收视率，马克思四处搜罗带有色情或暴力内容的剧集。马克思的下属哈兰盗用卫星信号，获取了一档名为影视场的节目，内容为写实粗糙的暴力虐待场面，马克思看过这套节目后无法忘怀，对其他剧集丧失了兴趣。电台主播尼奇（Deborah Harry 饰）与马克思相识不久，这名有受虐倾向的女子也被影视场吸引，奔赴节目可能的产地匹兹堡欲参与制作。马克思经人指点拜访影视场的创始人布莱恩教授却没有见到真人，教授寄来的以尼奇为主角的录像让马克思产生了幻觉，马克思再度拜访始知布莱恩早已被杀死，现在的影视场节目由惊人视力公司的巴里负责，马克思一步步落入了巴里设计好的圈套，在巴里与布莱恩两种力量间越陷越深……本片获1984年加拿大吉尼奖最佳导演奖。
回复 :一个已婚裁缝，对老婆没了兴趣，想偷吃，遇到个奶油蛋糕店老板娘，就想骗色，借用他一个风流单身汉朋友的身份进行勾搭。（http://www.kan84.net/bdhd/btCornettiallacrema1981.html）那个奶油蛋糕店老板娘也想摆脱纠缠她的自己的运动员痴汉老公，就傍上这个谢顶男人，要逃到他家避难。他借用他朋友房间骗她上床，谁知第一次自己不行。第二次他又借朋友房间，安排朋友到自己家等着，谁知她喝.........
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
