地球百子第五季
地区:日韩
  类型:歌舞
  时间:2025-07-17 08:18:53
剧情简介

孤城,地球第一座浮华却堕落的罪恶之城,地球第这里充斥着金钱与利益的争夺。然而,在这个亡命之徒的乐园里,仍有少数人坚持着自己心中的正义……警方卧底于秋在上司阿占的运筹帷幄下,多次成功打入当地帮派,斡旋于多方黑色势力之中。于秋在黑帮生活中却好像渐渐迷失自我,他开始怀疑,是否只有“非常”的手段才能主持公正,这让阿占也开始质疑。一次卧底行动中,于秋冒着行动失败的风险和帮派老大激战,结果全体命丧当场。在道德和江湖道义的双重质疑下,于秋选择了自我放逐,他逃离了孤城。然而,于秋内心对惩治罪恶的欲望从未消减,他重整旗鼓回到孤城,而这一次,阿占给他的任务竟然是调查罪恶之城背后最邪恶也最神秘的黑手、人人闻之色变的首脑——“老板”。从一宗离奇的小童绑架案开始,于秋和阿占查出老板的身份和他背后的犯罪网络。神秘的老板控制了商界和黑道,只有毁灭老板才能拯救这座堕落之城。事实上,于秋在追查过程中已经踏入了老板设下的重重圈套。虽然阿占拼死守着法律的底线,老板的势力却渗透了警方权力的高层,于秋渐渐失去了支持,原本要保护的小童也受到生命威胁。在接踵而至的迷局里,坚持正义的于秋好像被推向更深的绝望里……

816次播放
74人已点赞
26人已收藏
明星主演
蔡小虎
张志政
李琛
最新评论(946+)

张伯宏

发表于8分钟前

回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.


李大龙

发表于5分钟前

回复 :一个处在黄金年龄末尾的女人,她很聪明,曾经有着不错的前途。但是她放弃了出国深造的机会,而选择留下来全力支持丈夫的事业。但是随着时间流逝激情褪去,丈夫对她的冷淡让她的心理严重失衡,她不甘心自己成为大别墅中的金丝雀,于是谋划了一场阴谋,没有预料的是她也成为别人圈套中的“棋子”……


江玲

发表于3分钟前

回复 :王阿雄出狱后,暂时在葬仪社花点时打工。当他看上了在花店门口帮母亲摆摊的唐如梅后,便利用机会将她带到郊外强暴。唐家因家境困苦,父母的个性非常软弱,竟抱着息事宁人的态度,让女儿嫁给了比她大十几岁的强奸犯。阿雄本性好色,又有暴力倾向,一日竟对登门拜访的同学毛手毛脚,进而意欲强暴对方,被归家的阿梅当场撞破。阿雄非但不知何故,还恼羞成怒,怪阿梅破坏好事,对她施以拳打脚踢。为了照顾初生婴儿的阿梅,在阿雄身边受尽了屈辱和折磨。某日,阿雄因为参加政治抗议活动,而被警察以现行犯拘捕,阿梅趁机带着孩子逃走。为求生活,阿梅进了一家舞厅当小姐。后来认识了舞客潘安国,本以为寻得此生的幸福归宿。不料,此时却被寻妻的阿雄寻获,被强拉回家。在精神濒临崩溃的状态下,阿梅本想用菜刀了解了自己的生命,但却下不了手。直到阿雄深夜醉酒归来……


猜你喜欢
地球百子第五季
热度
22949
点赞

友情链接:

龙珠改 魔人布欧篇>大商道>恐惧症>新版至尊战王>我还是觉得不妥SP>潜行吧! 奈亚子W>闪婚之七天嫁给你>别对映像研出手!2020>今宵多珍重2020>法网杀机(原声版)>