免费Alone follows a writer seeking peace and solitude in the countryside in an attempt to recover from tragedy and finish her book. However, as the welcoming country house turns into a living hell, she soon realizes that her inner demons are not the worst of her problems.
回复 :有三个青春靓丽的女孩，他们是当下所流行的女主播大军中的一员。每日里你侬我侬，虚情假意，和电脑显示屏另一面的陌生人甜言蜜语，期间孕育了多少杀机而全然无知。某天，女孩们受邀参加某个剧组的电影拍摄工作。这是一部恐怖片，又某个张扬跋扈又小气非常的老板投资。导演自负才气，然时运不济，在巧舌如簧的制片人的游说下，勉为其难拿起了导筒。剧组资金有限，拍摄选在偏远的四合院中进行。开拍不久，老板力捧的女主角就遭到意外伤害。三个女孩演技不佳，又时常和导演发生冲突，此外更有对女主播们怀恨在心的人潜入片场。更糟糕的是，闹鬼传闻甚嚣尘上……
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
回复 :为了给家族复仇而追踪欺诈师御木本的黑崎（山下智久饰），接到了桂木（山崎努饰）的委托，消灭新的敌人，欺诈师石垣（竹中直人饰），通过赠送礼物来骗取他人的欺诈师。一直追踪黑崎的刑警神志名（哀川翔饰）与以大企业为目标的欺诈师白石（加藤浩次饰）也卷入了这场智力游戏之中。在调查过程中，黑崎发现石垣在与某个人物进行共谋。动摇日本经济的犯罪，巨大的诈骗事件在黑暗中酝酿。不顾吉川冰柱（堀北真希饰）的担心，黑崎向着真相前进。赌上性命的决斗，即将上演。©豆瓣
