美丽的美沙（麻吹淳子 饰）曾经拥有不堪回首的过去，车站如今的她经营着一家美容店，车站似乎重新开始新的生活。某天，一起突发事件令她倍受惊吓，关键时刻幸亏得到了男子一平（中丸信 饰）的救助。数日后，美沙登门道谢，此时她的心中已经开始喜欢上了对方，结果却意外发现一平的房中藏着一个被捆绑起来的女孩。美沙倍感受辱，夺门而去。原来一平是一名官能摄影师，同时也是美容店的客人沙贵（志麻いづみ 饰）的丈夫。他热情邀请美沙充当自己的模特，却遭到对方严词拒绝。未过多久，爱慕一平的高中女生命令两个男孩袭击了美沙。一切就此发生改变……
回复 :“天末凉风，蒹葭苍苍，自你离去，已有九年零三个月的时间了。在这漫长的三千多个日日夜夜里，我多少次站在我们初次相约的海边，抬眼望着汶川方向的星空，又多少次在梦中听到你近乎绝望的呼救，醒来后泪眼滂沱，不知所措。关于你的所有记忆，此生都注定无法平息…”电影《亲爱的，我要和别人结婚了》是一部根据真实事件改编、为纪念“5.12”汶川地震十周年而拍摄的灾难爱情电影。影片故事由一封曾在互联网上热传的名为《亲爱的，对不起，我要去跟别人结婚了》的信件改编而来，原作者李小木也参与了剧本的创作。讲述了在08年汶川地震时期，主人公董萧杨和自己的爱人天人永隔，由此引发的一个跨越十年、感人至深的爱情故事。影片故事跨越了从08年到18年十年的时间，通过一个真实的爱情故事，以小见大，体现了“爱的力量”的伟大和感人，也体现了中国人顽强不息的精神，以及在任何困难面前都能战胜的毅力。
回复 :在一个静得有些诡异阴森的夜晚，年轻女子艾米丽（艾米丽·芭尔多尼 Emily Baldoni 饰）驱车来到朋友家参加聚会。此前她一边开车一边和男友打电话，然而通话突然中断，她的手机屏也莫名其妙出现裂痕。这一事件让艾米丽的心中升起隐隐不安，因为当晚一颗彗星刚好接近地球，一个 很久之前听过的传说使她对彗星的到来有着不祥的预感。稍后，朋友们落座，大家彼此交谈，叙说近况，虽然言语中有着许多莫名其妙、蹊跷反常的线索，然而均被一带而过。突然间，灯光尽灭。当光明重新来临时，众人发现附近只有一户人家还在亮灯，而亮灯人家里坐着的竟是……本片荣获2014年阿姆斯特丹奇幻电影节黑郁金香奖。
回复 :Straub-Huillet’s adaptation of Heinrich Böll’s biting satire Bonn Diary presents the reflections of a reactivated officer who is summon ed to the West German capital by the Ministry of Defense to establish an Academy for Military Memories. Straub considered his film to be an intervention against German rearmament in the Adenauer era: "Machorka-Muff is the story of a rape, the rape of a country on which an army has been imposed, a country which would have been happier without one."In "Machorka-Muff," Mr. Straub, employing the cold, somewhat expressionistic but always loquacious approach of his other films, comes closest to underlining the almost subliminal irony of his themes. He briefly outlines, through the performance of Colonel Machorka-Muff, a former Nazi who is reinstated in the Adenauer regime, the unchanging thinking of the Nazi and/or the military mind. As the colonel of the title, Dr. Johannes Eckhardt is properly cold and convincing as the believer in the rights of the soldier. Although it is the shortest and earliest of Mr. Straub's films, it is both the most lucid of his works and the most clearly indicative of his potential as an imaginative filmmaker.
