一位中世纪的勇士格兰杰,老岳被派去实现一个古老的预言,老岳在经受战乱的Ehb王国,他与一群人意外结盟,目标是杀死“黑衣人”的领导者。经历千难万险,他们必须把王国从邪恶暴君雷文的手中解救出来,并拯救世界…
一位中世纪的勇士格兰杰,老岳被派去实现一个古老的预言,老岳在经受战乱的Ehb王国,他与一群人意外结盟,目标是杀死“黑衣人”的领导者。经历千难万险,他们必须把王国从邪恶暴君雷文的手中解救出来,并拯救世界…
回复 :一位百万富翁想帮助他被宠坏的孩子成为更好的人,所以他欺骗了他们,并假装家庭失去了有资格的年轻人所依赖的财富。
回复 :Nina is twelve years old and her world has just been shattered to smithereens: Her parents’ marriage has broken down and they are getting a divorce. After his internationally successful debut Miracle Juraj Lehotský now brings us an intimate drama in which the viewer looks upon the world and the selfish, visionless behaviour of adults through the eyes of a 12-year-old girl. A girl who is resilient and belligerent, but also vulnerable and just as fragile as the miniature world she creates for herself in the garden shed.
回复 :Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.