幸存者：哆啦卡拉延 第二十八季节目的戏剧冲突性主要通过两种方式得以实现的，哆啦一是人与自然环境的冲突；一是人与人的冲突。这两种冲突不是凭空产生的，而是人为设置的，是建立在游戏规则的强迫性和巨额金钱诱惑性的前提基础之上的。为强化人与自然环境的冲突，节目将播出的地点选在荒无人烟的小岛上，在这里没有丰美的水果，更不允许幸存者们自带食物，他们只能像当年鲁宾逊那样自己砍柴、生火、搭房、造筏，过着吃昆虫老鼠、被虫咬、受蛇蝎惊吓的生活。为了生存，参加者不得不用尽各种招数，人与自然的对立达到了高潮。由生存危机带来的冲突为节目的刺激奠定了基础。但更刺激的还是体现在人与人之间的对立上。
回复 :The story of how police repeatedly allowed a serial murderer to slip through their fingers.Stephen Port date-raped and murdered four young gay men in East London within fifteen months and dumped all four bodies within a few hundred metres of each other.Yet Barking and Dagenham police failed to link the deaths, until weeks after the fourth one. The film tells the story through eyes of the families of Port's victims, unpicking how the police failed to properly investigate each of the deaths in turn. The police's assumptions that these young gay men had died from self-inflicted overdoses of chem-sex drugs allowed Port to continue raping and killing innocent young men.The film unravels Port's sinister character and modus operandi. Port was motivated by a desire to satisfy his lust for abusive drug fuelled sexual encounters. He found all his victims through gay dating and social media sites, using multiple online profiles.Barking and Dagenham police's failings have led to huge anger amongst the families of Port's victims. Some have accused the police of institutional homophobia, and asked if officers would have investigated more thoroughly, had four young women turned up dead within such a small radius.The Met police have referred themselves to the Independent Police Complaints Commission over their handling of the case and will not comment on specific allegations until the IPCC investigation is complete.
回复 :这是一部以"数码纸芝居"形式制作的恐怖动画，将用昭和风格的纸芝居艺术来讲述各种都市怪谈，为你的夏夜增添别样回忆。 所谓纸芝居（连环画剧，幻灯片剧）是一种一边给小孩子看幻灯片一边讲故事的表演形式，在电视机未普及的昭和初期在日本得到广泛发展。“数码纸芝居”顾名思义即是将这种传统艺术搬到电视中的一种尝试。
李玟
回复 : 《无限X-青春派对》是一档展示动感地带芒果卡用户青春活力的音乐盛典，以“无限X-青春派对”的主题概念，邀约实力唱将和深受年轻人喜爱的新生代，并搭配当地的国风舞蹈团队，共同演绎兼具青春感、科技感、潮流感以及文化感的音乐舞台，打造属于年轻人情感共鸣的氛围环境。
