柏林常以一种富有亚文化的形象示人，中出西柏林的酷儿文化则是其中的重要一面。这里不仅有活跃的派对文化、中出性别的多样性，更产生了种独具特色的俱乐部。此外，同性恋博物馆、艾滋病援助组织和柏林电影节泰迪熊奖等各类与之相关的组织和活动纷纷在此建立阵地。事实上，酷儿文化在柏林的诞生与发展 并不顺利：1969年之前，同性恋会被政府抓捕和定罪。但西柏林的同志群体依然顽强存活，把这座城市发展成属于同志群体的大都市。七十年代末，西柏林迎来性自由、政治自由和社会融合的高潮时代；但辉煌之下，侵袭全球的艾滋病也让酷儿文化蒙上一层阴影。该片将镜头对准西柏林的同志群体，记录他们从二战后到柏林墙倒塌前的生活。包括政治活动家、俱乐部经营者、音乐家、时装设计师等各类群体描绘了种种历史事件的生动场面。影片同时也公开了罕见档案材料，带领观众穿越时空，领略西柏林的历史与文化魅力。（小易甫字幕组）
回复 :曾获得7座格莱美奖杯的艾米·怀恩豪斯，于2011年7月23日，因饮酒中毒而去世，享年27岁。此纪录片公开了一些艾米生前的私人影像，并且希望从艾米本人的角度来揭开这场悲剧的背后真相。制片人James Gay-Rees表示：“这样一部拥有当代性的影片，能够抓住时代精神，以其 他电影无法达到的方式来解读我们所处的世界。”艾米·怀恩豪斯被认为是这个时代最杰出的爵士女歌手之一，除了慵懒沙哑的嗓音，她总是顶着高耸蓬乱的蜂巢头，化着极致夸张的烟熏妆，穿着凌乱暴露的衣衫，让所有人的视线都被她吸引。她的歌曲仿佛来自深不可测的心底，有一种蛊惑的魔力。然而可悲的是，艾米却成为了自己的成功、媒体、情感和生活方式的囚徒。这个社会中，人们一方面赞赏她的才华，在另一方面也毫不留情地在伤害和消费着她。
回复 :Winter 1839. LIBERTY, MISSOURI. Local jailer, Samuel Tillery (Jasen Wade) is tasked with watching Missouri's most wanted men as they await their upcoming hearing. Caught between the local Missourians' increased drive to remove the prisoners, and the prisoners' desperate efforts to survive, Tillery is pushed beyond what any lawman can endure. Based on actual recorded accounts, OUT OF LIBERTY is an intense, evocative western, with an outcome you have to see to believe.
回复 :Taking on from where we left off, Dedh Ishqiya discovers yet another escapade of Khalujan (Naseeruddin Shah) and Babban (Arshad Warsi), a poetic journey underlined with revenge, drama and deception. The Begum (Madhuri Dixit-Nene) of Mahmudabad is hosting a festival of poetry and music in her mansion. The country’s best poets are in town. Khalujan posing as the Nawaab of Chandpur, is participating as a poet in the festival. He is not there merely to show off his poetic wares but to impress the widowed Begum who, as the grapevine suggests, is scouting for a husband -preferably a poet.Babban (Arshad Warsi) arrives in Mahmudabad to take Khalujan back to their old life but his plans change the moment he sets his eyes on Begum’s maid and confidant, Munira alias Muniya (Huma Qureshi), a brash and sexy young woman.Muniya too has plans of her own. She leaves the palace every now and then in a disguise to meet gangsters in dark alleys. The palace is rife with intrigue. The shayari is dropped for the guns, daring chases and hidden intentions. In the end, love triumphs even if the players of the story do not.
