剧情简介
改编自D. Eric Maikranz所著小说《转世文献》(The Rein carnationist Papers)，超级超级聚焦一个被自己前两世的记忆缠绕的男子，超级超级引出一群几乎长生不死、几世纪来多次转生的人，被称为“无限/无穷之人”，他们的组织叫“Cognomina”。为了打败想毁灭地球的邪恶力量，他们必须依靠这个精神分裂的男子，而后者先要搞清楚：他常做的奇怪的梦都是前世的记忆。
超级影院超级影视午夜
改编自D. Eric Maikranz所著小说《转世文献》(The Rein carnationist Papers)，超级超级聚焦一个被自己前两世的记忆缠绕的男子，超级超级引出一群几乎长生不死、几世纪来多次转生的人，被称为“无限/无穷之人”，他们的组织叫“Cognomina”。为了打败想毁灭地球的邪恶力量，他们必须依靠这个精神分裂的男子，而后者先要搞清楚：他常做的奇怪的梦都是前世的记忆。
回复 :本片讲述伊朗三个不同年龄段女性的故事：1）小女孩哈娃（Fatemeh Cherag Akhar 饰）即将迎来9岁的生日，过了生日后，她就必须遮上面纱，不能和男孩们接触了。离生日还有一个小时，她决定和自己的好朋友共度这最后的时光；2）阿和（Shabnam Toloui 饰）逃离施暴的丈夫，和一群女伴参加长途自行车比赛。一路上，她的亲人、朋友接连赶来，试图阻止她叛逆的举动；3）老婆婆霍拉（Azizeh Sedighi 饰）来到一座城市内疯狂购物，并雇佣一群小孩搬运，但她似乎忘记了什么东西……本片荣获2000年芝加哥国际电影节最佳处女作奖、2000年釜山国际电影节新浪潮奖、2000年多伦多国际电影节发现奖第二名、2000年威尼斯电影节最佳处女作奖。
回复 :Kevin與Jamie這對密友一同長大，截然不同的家庭背景亦無損他們的感情。但中四那年，Kevin因母親再婚，要隨母移居加拿大，二人難捨難離。離別前夕，兩人互表心跡，在海灘上情不自禁地熱吻起來，但隨即被巡邏的警員發現及威脅以在公眾地方的猥褻行為拘捕他們。經此一役，Jamie不敢再找Kevin，Kevin亦黯然離開香港。十多年後，Jamie在溫哥華一所情緒病中途宿舍重遇Kevin，令受抑鬱症困擾的Kevin重拾生命的動力，決定回港生活。Jamie發現他對Kevin的感覺並沒有因時間的消逝而退卻，但Kevin開始疏遠Jamie，與一名年青男子展開一段新關係。正當Kevin以為自己的生活重拾正軌，卻接到母親交通意外逝世的消息，再次陷於崩潰邊緣。
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
