剧情简介
福尔摩斯因为过分的寂寞，雾气整日注射可卡因，雾气他的好友华生医生强烈反对他这样摧残自己的身体。一天，福尔摩斯接到一封神秘的请帖，邀他去观看苏联芭蕾舞。芭蕾舞演员彼得洛娃，希望和福尔摩斯结合，因为她想要个孩子，还希望孩子父亲的智能与她的资丽能造就个好孩子。福尔摩斯婉言谢绝。几天后，福尔摩斯收到一件奇怪的包裹，里面是在一个被人从泰晤士河中救起的患有健忘症的女人手里找到的，一张写有福尔摩斯住址的纸条。
雾气蒙蒙
福尔摩斯因为过分的寂寞，雾气整日注射可卡因，雾气他的好友华生医生强烈反对他这样摧残自己的身体。一天，福尔摩斯接到一封神秘的请帖，邀他去观看苏联芭蕾舞。芭蕾舞演员彼得洛娃，希望和福尔摩斯结合，因为她想要个孩子，还希望孩子父亲的智能与她的资丽能造就个好孩子。福尔摩斯婉言谢绝。几天后，福尔摩斯收到一件奇怪的包裹，里面是在一个被人从泰晤士河中救起的患有健忘症的女人手里找到的，一张写有福尔摩斯住址的纸条。
回复 :一次意外中，威尔（杰克·尼科尔森 Jack Nicholson 饰）驾车撞倒了一只野狼，当他下车查看情况时，野狼咬伤了威尔。威尔并没有将受伤当成一回事，可自从事故发生以来，一些奇怪的变化开始出现在了威尔的身上，他的感官变得异常灵敏，脾气也愈发暴躁，所有的迹象都在显示，威尔似乎在慢慢的变成一只狼。动物研究专家亚历齐亚斯（欧姆·普瑞 Om Puri 饰）证实了威尔的疑虑，他给了威尔一张护身符，它能够暂时帮助威尔控制自己的野性。威尔的妻子夏洛特（凯特·尼利甘 Kate Nelligan 饰）死了，死于喉咙被撕裂，威尔的朋友劳拉（米歇尔·菲佛 Michelle Pfeiffer 饰）为威尔做出了不在场证明，而当劳拉身陷险境之时，威尔也毫不犹豫的变成了狼人，出手相救。
回复 :Within the walls of the Grave, the orphanage where Nica grew up, a legend has always been told: that of the maker of tears, a mysterious craftsman, guilty of crafting all the fears and anxieties that inhabit the hearts of men. But at seventeen years old, the time has come for Nica to leave fairy tales behind. Her biggest dream is about to come true. Mr and Mrs Milligan have started the adoption process and are ready to give her the family she has always wanted. In her new home, however, Nica is not alone. Along with her, Rigel, a restless and mysterious orphan, the last person in the world Nica would want as an adoptive brother, is also taken from the Grave. Rigel is intelligent, smart, plays the piano like an enchanting demon and has a beauty that can enchant, but his angelic appearance conceals a dark nature. Even though Nica and Rigel are united by a common past of pain and hardship, living together seems impossible, but kindness and anger are two different ways of fighting pain to stay alive and to conceal the emotions that devastate their hearts, becoming for each other that tears-maker of legend. To the maker of tears you cannot lie: and they will have to find the courage to accept that desperate force that attract them towards each other called love.
蔡枫华
回复 :Erstwhile Special Forces operative Doc Alexander is asked to broker a truce with the Mexican drug cartel in secrecy. When Oklahoma Governor Richard Jeffs celebrates the execution of a high-ranking cartel member on TV, his Chief of Staff and Doc inform him about the peace he just ended. But it’s too late, as Cuco, the cartel’s hatchet man, has set his vengeful sights on Doc’s daughter Dixie.They don’t make ’em like Little Dixie anymore: honed to the bone, all gestures and actions, only a few words. Too many genre films these days try to create meaning by piling ideas and intentions on their narrative frames. John Swab, as always, works the other way around. Meaning and depth come from taking away whatever is superfluous – by reducing the plot to its bare essence and the characters to their core trades and tricks.Ultimately, Little Dixie feels like the pulp fiction version of a Giacometti sculpture, all fearful symmetries and mirror images. A gem of crime cinema at its purest and most philosophical, proudly featuring noir’s new darling, Frank Grillo.
